Tuesday, November 24, 2009

Golden - Sonia Gernes

for my parent's fiftieth anniversary

In the old photographs, it is always autumn.
Colors fade to the sepia of remembered thought:
my mother in a flapper dress, my father
proud beside the Model A. They glow
in the light of dreams that I can never know.

What did they think of that autumn
they climbed into the photograph of bride & groom?
That love would conquer?—the Depression yield
more than its tart and scanty fruit?
In a season of scarceness, the bitter root

of her father's death fresh within the house,
they strode from the church believing
in sunlight—the prairie ringing for them,
the October trees all aflame with praise.
Good farmers, they knew how to raise

the future, a steady hand on each day's plow,
patience in the fallow fields, a table
big enough for all who'd need it, hope
in the seedlings, beauty's grace, a faith
that is the opposite of winter's death.

This autumn, I would take the color
of that triumph, the bright praise of trees.
the harvest secure in the heart's high bins;
I would make of them a portrait fit to hold
through time: these trees, these lives, this gold.

Autumn Waiting - Tom Hennen

Cold wind.
The day is waiting for winter
Without a sound.
Everything is waiting—
Broken-down cars in the dead weeds.
The weeds themselves.
Trees.
Even sunlight
Is in no hurry and stays
For a long time
On each cornstalk.
Blackbirds are silent
And sit in piles.
From a distance
They look like
Something
Spilled on the road.

Ernest Hemingway

"We all ought to make sacrifices for literature. Look at me. I'm going to England without a protest. All for literature."

- Ernest Hemingway, The Sun Also Rises

Thursday, November 19, 2009

In November - Lisel Mueller

Outside the house the wind is howling
and the trees are creaking horribly.
This is an old story
with its old beginning,
as I lay me down to sleep.
But when I wake up, sunlight
has taken over the room.
You have already made the coffee
and the radio brings us music
from a confident age. In the paper
bad news is set in distant places.
Whatever was bound to happen
in my story did not happen.
But I know there are rules that cannot be broken.
Perhaps a name was changed.
A small mistake. Perhaps
a woman I do not know
is facing the day with the heavy heart
that, by all rights, should have been mine.

Gate C22 - Ellen Bass

At gate C22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after
the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like he'd just staggered off the boat at Ellis Island,
like she'd been released at last from ICU, snapped
out of a coma, survived bone cancer, made it down
from Annapurna in only the clothes she was wearing.

Neither of them was young. His beard was gray.
She carried a few extra pounds you could imagine
her saying she had to lose. But they kissed lavish
kisses like the ocean in the early morning,
the way it gathers and swells, sucking
each rock under, swallowing it
again and again. We were all watching —
passengers waiting for the delayed flight
to San Jose, the stewardesses, the pilots,
the aproned woman icing Cinnabons, the man selling
sunglasses. We couldn't look away. We could
taste the kisses crushed in our mouths.

But the best part was his face. When he drew back
and looked at her, his smile soft with wonder, almost
as though he were a mother still open from giving birth,
as your mother must have looked at you, no matter
what happened after — if she beat you or left you or
you're lonely now — you once lay there, the vernix
not yet wiped off, and someone gazed at you
as if you were the first sunrise seen from the Earth.
The whole wing of the airport hushed,
all of us trying to slip into that woman's middle-aged body,
her plaid Bermuda shorts, sleeveless blouse, glasses,
little gold hoop earrings, tilting our heads up.

Little Prayer in November - Lee Rudolph

That I am alive, I thank
no one in particular;
and yet am thankful, mostly,
although I frame no prayer

but this one: Creator
Spirit, as you have come,
come again
, even in November,
on these short days, fogbound.

Wednesday, November 18, 2009

Then too there is this - J. Allyn Rosser

joy in the day's being done, however
clumsily, and in the ticked-off lists,
the packages nestling together,
no one home waiting for dinner, for
you, no one impatient for your touch
or kind words to salve what nightly
rises like heartburn, the ghost-lump feeling
that one is really as alone as one had feared.
One isn't, not really. Not really. Joy
to see over the strip mall darkening
right on schedule a neon-proof pink
sunset flaring like the roof of a cat's mouth,
cleanly ribbed, the clouds laddering up
and lit as if by a match struck somewhere
in the throat much deeper down.