It would be neat if with the New Year -- Jimmy Santiago Baca

for Miguel

It would be neat if with the New Year
I could leave my loneliness behind with the old year.
My leathery loneliness an old pair of work boots
my dog vigorously head-shakes back and forth in its jaws,
chews on for hours every day in my front yard—
rain, sun, snow, or wind
in bare feet, pondering my poem,
I’d look out my window and see that dirty pair of boots in the yard.

But my happiness depends so much on wearing those boots.

At the end of my day
while I’m in a chair listening to a Mexican corrido
I stare at my boots appreciating:
all the wrong roads we’ve taken, all the drug and whiskey houses
we’ve visited, and as the Mexican singer wails his pain,
I smile at my boots, understanding every note in his voice,
and strangers, when they see my boots rocking back and forth on my
feet
keeping beat to the song, see how
my boots are scuffed, tooth-marked, worn-soled.

I keep wearing them because they fit so good
and I need them, especially when I love so hard,
where I go up those boulder strewn trails,
where flowers crack rocks in their defiant love for the light.

Compulsively Allergic to the Truth - Jeffrey McDaniel

I'm sorry I was late.
I was pulled over by a cop
for driving blindfolded
with a raspberry-scented candle
flickering in my mouth.
I'm sorry I was late.
I was on my way
when I felt a plot
thickening in my arm.
I have a fear of heights.
Luckily the Earth
is on the second floor
of the universe.
I am not the egg man.
I am the owl
who just witnessed
another tree fall over
in the forest of your life.
I am your father
shaking his head
at the thought of you.
I am his words dissolving
in your mind like footprints
in a rainstorm.
I am a long-legged martini.
I am feeding olives
to the bull inside you.
I am decorating
your labyrinth,
tacking up snapshots
of all the people
who've gotten lost
in your corridors.

Jim Jarmusch

Two Guitars - Victor Hernandez Cruz

Two guitars were left in a room all alone

They sat on different corners of the parlor

In this solitude they started talking to each other

My strings are tight and full of tears

The man who plays me has no heart

I have seen it leave out of his mouth

I have seen it melt out of his eyes

It dives into the pores of the earth

When they squeeze me tight I bring

Down the angels who live off the chorus

The trios singing loosen organs

With melodious screwdrivers

Sentiment comes off the hinges

Because a song is a mountain put into

Words and landscape is the feeling that

Enters something so big in the harmony

We are always in danger of blowing up

With passion

The other guitar:

In 1944 New York

When the Trio Los Panchos started

With Mexican & Puerto Rican birds

I am the one that one of them held

Tight like a woman

Their throats gardenia gardens

An airport for dreams

I've been in theaters and cabarets

I played in an apartment on 102nd street

After a baptism pregnant with women

The men flirted and were offered

Chicken soup

Echoes came out of hallways as if from caves

Someone is opening the door now

The two guitars hushed and there was a

Resonance in the air like what is left by

The last chord of a bolero.

Dog Music - Paul Zimmer

Amongst dogs are listeners and singers.

My big dog sang with me so purely,

puckering her ruffled lips into an O,

beginning with small, swallowing sounds

like Coltrane musing, then rising to power

and resonance, gulping air to continue—

her passion and sense of flawless form—

singing not with me, but for the art of dogs.

We joined in many fine songs—"Stardust,"

"Naima," "The Trout," "My Rosary," "Perdido."

She was a great master and died young,

leaving me with unrelieved grief,

her talents known to only a few.

Now I have a small dog who does not sing,

but listens with discernment, requiring

skill and spirit in my falsetto voice.

I sing her name and words of love

andante, con brio, vivace, adagio.

Sometimes she is so moved she turns

to place a paw across her snout,

closes her eyes, sighing like a girl

I held and danced with years ago.

But I am a pretender to dog music.

The true strains rise only from

the rich, red chambers of a canine heart,

these melodies best when the moon is up,

listeners and singers together or

apart, beyond friendship and anger,

far from any human imposter—

ballads of long nights lifting

to starlight, songs of bones, turds,

conquests, hunts, smells, rankings,

things settled long before our birth.

Sonnet - Elizabeth Bishop

I am in need of music that would flow
Over my fretful, feeling finger-tips,
Over my bitter-tainted, trembling lips,
With melody, deep, clear, and liquid-slow.
Oh, for the healing swaying, old and low,
Of some song sung to rest the tired dead,
A song to fall like water on my head,
And over quivering limbs, dream flushed to glow!

There is a magic made by melody:
A spell of rest, and quiet breath, and cool
Heart, that sinks through fading colors deep
To the subaqueous stillness of the sea,
And floats forever in a moon-green pool,
Held in the arms of rhythm and of sleep.

Nightclub - Billy Collins

You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don't hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.

For no particular reason this afternoon
I am listening to Johnny Hartman
whose dark voice can curl around
the concepts of love, beauty, and foolishness
like no one else's can.
It feels like smoke curling up from a cigarette
someone left burning on a baby grand piano
around three o'clock in the morning;
smoke that billows up into the bright lights
while out there in the darkness
some of the beautiful fools have gathered
around little tables to listen,
some with their eyes closed,
others leaning forward into the music
as if it were holding them up,
or twirling the loose ice in a glass,
slipping by degrees into a rhythmic dream.
Yes, there is all this foolish beauty,
borne beyond midnight,
that has no desire to go home,
especially now when everyone in the room
is watching the large man with the tenor sax
that hangs from his neck like a golden fish.
He moves forward to the edge of the stage
and hands the instrument down to me
and nods that I should play.
So I put the mouthpiece to my lips
and blow into it with all my living breath.
We are all so foolish,
my long bebop solo begins by saying,
so damn foolish
we have become beautiful without even knowing it.