Home - Richard Newman

I like my hometown more
the longer I'm away.
Memories, like trick candles,
flicker as I pull in.

The longer I've been away
the less I recognize. Stars
flicker as I pull in.
Where are the woods and fields?

I barely recognize the stars.
Home is where
my boyhood woods and fields
now offer beautiful new homes.

Home is where they said
Leave now so we might miss you someday.
The beautiful new homes say
We're better off since you left.

We might miss you someday—
yes, that would be my wish.
Home is where they're better off since you left.
Blow into town and blow right out.

Yes, that would be my wish-
that I liked my hometown more.
Blow through town. Blow out
memories like trick candles.

Abraham Lincoln - Abraham Lincoln

Abraham Lincoln

his hand and pen

he will be good but

god knows When

Calvin's Theory of Predestination - Betsy Johnson-Miller

Some people will be chosen
for the job, the Wednesday night poker game

for the limited number of spaces
available in heaven. Only so many

spoons fit in one drawer your mother
would say

and the same is true for clothes
and closets

shelves and cans and let's be honest
hearts and loves.

I cannot love you because I love another
is a problem

that sometimes gets admitted
over wine

in a restaurant
filled with people choosing

this dish over that meat
choosing something that will fill

the middle of their beings
or leave them slavering like a cheetah

who missed and pass that
would you? and let's be friends. Yes

let's drink to being friends
and then we can all go on our way

remembering the best part
about being chosen is that

you do not have to stop
for anyone along the way.

The Resemblance Between Your Life and A Dog - Robert Bly

I never intended to have this life, believe me—
It just happened. You know how dogs turn up
At a farm, and they wag but can't explain.

It's good if you can accept your life—you'll notice
Your face has become deranged trying to adjust
To it. Your face thought your life would look

Like your bedroom mirror when you were ten.
That was a clear river touched by mountain wind.
Even your parents can't believe how much you've changed.

Sparrows in winter, if you've ever held one, all feathers,
Burst out of your hand with a fiery glee.
You see them later in hedges. Teachers praise you,

But you can't quite get back to the winter sparrow.
Your life is a dog. He's been hungry for miles,
Doesn't particularly like you, but gives up, and comes in.

A Drinking Song - William Butler Yeats

Wine comes in at the mouth
And love comes in at the eye;
That's all we shall know for truth
Before we grow old and die.
I lift the glass to my mouth,
I look at you, and I sigh.

Riveted - Robyn Sarah

It is possible that things will not get better
than they are now, or have been known to be.
It is possible that we are past the middle now.
It is possible that we have crossed the great water
without knowing it, and stand now on the other side.
Yes: I think that we have crossed it. Now
we are being given tickets, and they are not
tickets to the show we had been thinking of,
but to a different show, clearly inferior.

Check again: it is our own name on the envelope.
The tickets are to that other show.

It is possible that we will walk out of the darkened hall
without waiting for the last act: people do.
Some people do. But it is probable
that we will stay seated in our narrow seats
all through the tedious dénouement
to the unsurprising end - riveted, as it were;
spellbound by our own imperfect lives
because they are lives,
and because they are ours.

In Blackwater Woods - Mary Oliver

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go. 

The Titanic - June Robertson Beisch

So this is how it feels, the deck tilting,
the world slipping away as one
sitting at a desk writes a check.

The Titanic went down titanically
like a goddess glittering,
Pinioned to an iceberg, she sank

almost thankfully while tiny mortals
leapt into the sea
and the band played Nearer My God to Thee.

But what happened to the signals of distress?
Nobody believed it was all really happening.
I still can’t believe that it happened to me.

As a child, I stared horrified at the photograph
and the vision of that scene in the moonlit sea.
We will be one of the survivors, we think,
then something looms up like catastrophe.

All life, it seems, is the morning after
and love is the most beautiful of absolute disasters.

The Unities of Drama - Gordon Gilsdorf

The time of the representation and that of the action represented must be exactly coincident... and the scene of the action must be constant.
-Ludovico Castelvetro, Poetica (1576)

If her great-grandfather,
like seed wanting to die
in soil along the landtrails
beyond the waterways of immigration,
had refused his roots to Ohio
and had guessed his last coins
could buy him Wisconsin loam,
she might have come to me
through the stubble fields
of summer's golden barley
in a long-past harvest
swinging her sweating pail,
giving it with a brushing touch
as fresh as the water itself
or her blush in cool calico.
She might have lengthened
the already-long day's work
with a word or a smile, leaving,
as she turned toward sunset,
for my heart, I recall,
was at a crossroads then.
Instead, when she came,
three generations late,
she had two frosted cokes
from a noisy hallway automat
and we negotiated the July heat
in a terrazzo classroom,
cooled in the garb of our vows,
far from the crossroads then.
Her blush rankled like barley stubble,
a flush of care not to touch,
and we wondered under our words
if Castelvetro believed his "unities,"
if somehow we had cheated
his time and place and action
to shape the little drama
that is both the planting
and the harvest of our love.

Spring Thaw - Gordon Gilsdorf

Most things
die reluctantly,
clinging
to the life
they know,

like snow
trying to hold
the land
far beyond
the middle
of March.

How can it know
that April
will not have
violets without warm rains

and that
surrender
is the only way
to inherit
the earth?

At Last The Secret Is Out - W.H. Auden

At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell to the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my dear, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

High Water Mark - David Shumate

It's hard to believe, but at one point the water rose to this level. No one had seen anything like it. People on rooftops. Cows and coffins floating through the streets. Prisoners carrying invalids from their rooms. The barkeeper consoling the preacher. A coon hound who showed up a month later forty miles downstream. And all that mud it left behind. You never forget times like those. They become part of who you are. You describe them to your grandchildren. But they think it's just another tale in which animals talk and people live forever. I know it's not the kind of thing you ought to say... But I wouldn't mind seeing another good flood before I die. It's been dry for decades. Next time I think I'll just let go and drift downstream and see where I end up.

Gabriel Garcia Marquez

But by then her acceptance of her fate was so deep that she was not even upset by the certainty that all possibility of rectification were closed to her.

-One Hundred Years Of Solitude

Bees - Jane Hirshfield

In every instant, two gates.
One opens to fragrant paradise, one to hell.
Mostly we go through neither.

Mostly we nod to our neighbor,
lean down to pick up the paper,
go back into the house.

But the faint cries—ecstasy? horror?
Or did you think it the sound
of distant bees,
making only the thick honey of this good life?

We Wear The Mask - Paul Laurence Dunbar

WE wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!

i carry your heart with me(i carry it in - e.e. cummings

i carry your heart with me(i carry it in

my heart)i am never without it(anywhere

i go you go,my dear;and whatever is done

by only me is your doing,my darling)

i fear

no fate(for you are my fate,my sweet)i want

no world(for beautiful you are my world,my true)

and it’s you are whatever a moon has always meant

and whatever a sun will always sing is you

here is the deepest secret nobody knows

(here is the root of the root and the bud of the bud

and the sky of the sky of a tree called life;which grows

higher than soul can hope or mind can hide)

and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)

A Winter Daybreak Above Venice - James Wright

The night’s drifts
Pile up below me and behind my back,
Slide down the hill, rise again, and build
Eerie little dunes on the roof of the house.
In the valley below me,
Miles between me and the town of St.-Jeannet,
The road lamps glow.
They are so cold, they might as well be dark.
Trucks and cars
Cough and drone down there between the golden
Coffins of greenhouses, the startled squawk
Of a rooster claws heavily across
A grove, and drowns.
The gumming snarl of some grouchy dog sounds,
And a man bitterly shifts his broken gears.
True night still hangs on,
Mist cluttered with a racket of its own.

Now on the mountainside,
A little way downhill among turning rocks,
A square takes form in the side of a dim wall.
I hear a bucket rattle or something, tinny,
No other stirring behind the dim face
Of the goatherd’s house. I imagine
His goats are still sleeping, dreaming
Of the fresh roses
Beyond the walls of the greenhouse below them
And of lettuce leaves opening in Tunisia.

I turn, and somehow
Impossibly hovering in the air over everything,
The Mediterranean, nearer to the moon
Than this mountain is,
Shines. A voice clearly
Tells me to snap out of it. Galway
Mutters out of the house and up the stone stairs
To start the motor. The moon and the stars
Suddenly flicker out, and the whole mountain
Appears, pale as a shell.

Look, the sea has not fallen and broken
Our heads. How can I feel so warm
Here in the dead center of January? I can
Scarcely believe it, and yet I have to, this is
The only life I have. I get up from the stone.
My body mumbles something unseemly
And follows me. Now we are all sitting here strangely
On top of the sunlight.

Now - Greg Watson

I told you once when we were young that
we would someday meet again.
Now, the years flown past, the letters
unwritten, I am not so certain.

It is autumn. There are toothaches hidden
in this wind, there are those determined
to bring forth winter at any cost.
I am resigned to dark blonde shadows

at stoplights, lost in the roadmaps of leaves
which point in every direction at once.
But I am wearing the shirt you stitched
two separate lifetimes ago. It is old

and falling to ash, yet every button blooms
the flowers of your design. I think of this
and I am happy, to have kissed
your mouth with the force of language,

to have spoken your name at all.

Ae Fond Kiss - Robert Burns

Ae fond kiss, and then we sever;
Ae fareweel, alas, for ever!
Deep in heart-wrung tears I'll pledge thee,
Warring sighs and groans I'll wage thee.
Who shall say that Fortune grieves him,
While the star of hope she leaves him?
Me, nae cheerful twinkle lights me;
Dark despair around benights me.

I'll ne'er blame my partial fancy,
Naething could resist my Nancy:
But to see her was to love her;
Love but her, and love for ever.
Had we never lov'd sae kindly,
Had we never lov'd sae blindly,
Never met -- or never parted,
We had ne'er been broken-hearted.

Fare-thee-weel, thou first and fairest!
Fare-thee-weel, thou best and dearest!
Thine be ilka joy and treasure,
Peace, Enjoyment, Love and Pleasure!
Ae fond kiss, and then we sever!
Ae fareweel, alas, for ever!
Deep in heart-wrung tears I'll pledge thee,
Warring sighs and groans I'll wage thee.

my sweet old etcetera - e.e. cummings

my sweet old etcetera
aunt lucy during the recent

war could and what
is more did tell you just
what everybody was fighting

for,
my sister

isabel created hundreds
(and
hundreds)of socks not to
mention shirts fleaproof earwarmers

etcetera wristers etcetera, my
mother hoped that

i would die etcetera
bravely of course my father used
to become hoarse talking about how it was
a privilege and if only he
could meanwhile my

self etcetera lay quietly
in the deep mud et

cetera
(dreaming,
et
cetera, of
Your smile